Ikenga, Ichi, and ultra-long Horns

Interesting Ikenga at auction in Dec 2020. Ikenga is a ‘ritual object’ (commonly found in Igbo family shrines), which on an individual basis represents ‘masculine strength’ and the ‘ability to achieve one’s goals through one’s efforts’. 

Shaw Ikenga : Merrill’s Auctioneers

Provenance – 19th/early 20th c African Tribal carved wooden figure, descended from Albert Shaw 1857- 1947, Author, Historian, Editor of the Review of Reviews, member of the American Antiquarian Society, eroded, crusty surface, loss to base, ht 20 1/4″

Ikenga Ichi composite

I couldn’t resist developing a composite comparing the treatment of the Ichi detail on the piece versus the actual scarification detail.

The other area that caught my attention was the length (almost half of the carving) and straightness of the horns. These horns are more symbolic and seem to suggest that success is driven more by will than by any physical or material accruement.

Finding Dengese

 

The crazy thing about collecting African art, (or anything for that matter), is the inexhaustible thrill of both the hunt and the acquisition. The week ending 102211 was a good week simply because I finally managed to purchase a Baule monkey statue. “In Baule culture, cupbearing monkey statues, commonly known as “gbekre” since their first mention in 1900 by Maurice Delafosse, belong to the category of amwin, or “objects of power”. They were used by men-only initiation societies for a number of purposes, both functional – as a basis for prophylactic practices, linked to agrarian rites or to a form of divination known as mbra (Bouloré in RMN, 2000: 107 et Vogel, 1997: 221-230) – and iconographic, each type being designated by a specific term (aboya, mbotumbo, ndyadan, gbekre…) ” Sotheby’s[1].  I can only say that I’ve been looking for a decent one for a long time.  Typically the “Mbra” has elongated lower jaws and a very aggressive appearance, but  as I’ve found in collecting African tribal art, the 80/20 adage holds quite well. “The Mbotumbo (Ape god of the Baule), is the person’s special protector, but cannot be purchased in the market (like the Ibo do with their Ikenga), since certain conditions (eg. supernatural signs), must be observed.”[2] This piece is a real twist on the more familiar Baule masks which typically promote harmony, and happiness, (Mblo, Goli masks).

Baule Monkey Statue : Mbra, Gbekre

As luck would have it, I purchased a couple other items in the lot as well. One item shown below was new to me. What I did recognize however was the shape of the “coiffure” or hair-cut, which seemed very similar to those of the Kuba masks, used in Kuba creation masquerades. The Kuba live in the Democratic Republic of the Congo. Using this information I was able to finally “track”, and identify the piece using the reference The Tribal Arts of Africa.

Dengese : King Figure (Isikimanji)

 

The Dengese figure is attractive for two reasons,

1) the fact that they have no legs, and

2) the scarification on the figure is very extensive.

The headdress, a distorted cone, represents the one placed on the king’s head during his installation and symbolizes understanding, intelligence, distinction, respect, and unity among chiefs. The placement of the hands on the belly refers to the common origins of the king’s subjects, from which he anticipates cooperation. Numerous symbols are carved on the neck and on the elongated torso and arms in imitation of scarification patterns. The patterns allude to aphorisms and praise phrases that encode the mysteries of Dengese chiefly authority.”[3]

Susu, Anansi, and Tabanka – the beginning

Five Areas of Common Tribal Heritage we never knew.

Beyond the use of masks in festivals and masquerades there are several areas of  African Tribal Art, and customs that form a common part of the heritage of the Diaspora. It is amazing that after hundreds of years there are commonalities and ties that have stood the test of both advances in technology, and concentrated attempts at indoctrination in different cultures.

Common Volcabulary[1]

“Susu” is a word based on the Yoruba word “esusu” meaning a rotation of funds to persons who have contributed to a central banker; a sharing of capital. This practice is done commonly throughout West Africa. A general misconception is that the word had its origins in the French word for “cent.”

The Caribbean use of “Allyuh” and “you all” also bear traits of West African language. Standard English just has “you,” which acts as the 2nd person singular AND the 2nd person plural. African languages make a distinction between the plural ‘you’ and the singular ‘you’ so therefore the “all” is inserted “allyuh”, “you all” to mean more than one. The Bajan “wunna,” which means “you all” is a version of the Ibo pronoun “unna” which has a similar meaning.

Ibo (Igbo) Tribe, Nigeria - Spirit Maiden Mask

“Moomoo” a word meaning stupid, or dumb, and “booboo” meaning coal in the eyes are also African based words. “Anansi” likewise is a chief character of folk tales in the Gold Coast. “Jumbi” is a word from Angola meaning a ghost, an entity that returns from the dead. “Locho” is a Congo word meaning “cheap; mean; stingy” that has found its way to the Caribbean. “Tabanka” or its variant (without the nasal consonants “n or m”) “Tabaka,” is a Congo word meaning sold out or bought out completely. So from this we have the Caribbean word “tabanka/tabaka” meaning completely lost in love. “Tooloom” comes from the word “toolumuka” which means to drag oneself or to pull out teeth. The Caribbean word “Lahe” which mean “wutless” or “good for nothing” is based in the Congo word “laha” which means the same. “Kongori” can be found in a series of languages in Africa from Gabon to the interior, and the meaning is the same – a millipede. “Kaiso” among the Niger Delta peoples is a term that means “well done!” and so at the end of a “kaiso” or “calypso” it is very suitable to hear such an acclamation. “Dwen/Douen” is also an African word which refers to the soul of a child that has died.

Bwoon Mask, Kuba Tribe - DRC : Famous Royal three way relationship!

 

Bamilike Tribe, Cameroon[2]

To compensate for not preserving the skull of a male ancestor, a family member must undergo a ceremony involving pouring libations into the ground. Dirt gathered from the spot then becomes a proxy representing the skull of the deceased. The tradition of sprinkling drops of liquor when a new bottle is opened may be derived from this.

Gunyege Mask, Dan Tribe - Ivory Coast

 

Dan Tribe, Ivory Coast[3]

The tradition of “tin” is still an essential part of Dan culture. Young people strive to make a name for themselves by lavishly spending at community feasts to demonstrate their wealth – hence to be described as a “Dan” refers to someone who dresses well, and who shows himself to be ahead of others in the categories of wealth or social prominence.

Ashanti, Ghana[4]

The Anansi tales are believed to have originated  from the Ashanti  tribe in Ghana. The word Anansi is Akan, and means simply spider.  An example of Anansi’s craftiness is given in the excerpt which sees him capturing a nest of hornets.

“To catch the hornets, Anansi filled a calabash with water and poured some over a banana leaf he held over his head and some over the nest, calling out that it was raining. He suggested the hornets get into the empty calabash, and when they obliged, he quickly sealed the opening.”

Religious Beliefs – Yoruba Tribe,Nigeria [5]

With the trans Atlantic Slave Trade, the Yoruba religion was transplanted in various parts of the western hemisphere. Today it is practiced in a host of different forms. One of these is Vodoun, a mixture of Yoruba, Catholicism, and Freemasonry, in Haiti. It is known throughout South America, the Caribbean, and Central America as Santeria where it is practiced not only by Africans but also the descendants of indigenous peoples (misnomered Indians or Hispanic) that inhabit the region. Worship in the Yoruba religion is based upon the belief in a Supreme Being (Oldumare), the creator of Heaven (Orun) and Earth (Aye); the belief in a multitude of spiritual deities (Orisha); and the belief in ancestral spirits (Egungun).